Exhibitions: 2026

Collettiva 04: a group exhibition bringing together contemporary artistic languages and visions, on view from September 1–11 at iKonica Art Gallery in Milan.

The gallery is pleased to announce that, for the final exhibition of the first half of 2026, it will be hosting a double exhibition.

collectve exhibition of international artists

The core concept of the exhibition is time, a theme that has always been debated within society and subject to multiple interpretations. While for some it represents an inexorable limit, for others it becomes a dimension to coexist with or an element to be shaped through a strictly personal vision. Indeed, each individual experiences the passing of days in a unique way, reflecting a sensitivity that artists of every era have sought to capture.

In 1994, as a Brera student, I exhibited for the first time thanks to Salon Primo. Today, as a professor, I want to give back: with Milan's iKonica Gallery and the Academy's patronage, on June 12, 2026, we will showcase our young talents to promote art, dialogue, and new collectors.

There is no single way of being a woman. There is no one image, no single voice.

The exhibition stems from the idea of exploring the relationship between language, symbol, and visual identity through different artistic paths, all united by a reflection on the sign as a primary form of communication. "Codes and Signs" brings together sensibilities, techniques, and contemporary visions spanning painting, matter, gesture, and conceptual research.

The artist works in series, turning her attention to the urban landscape, nature, and contemporary society. Her research focuses predominantly on the night-time hours or at dusk, when chromatic nuances reveal the mystery inherent in places.

In his works, Andrea Failla succeeds in bringing together a spiritual and cosmic dimension alongside a more earthly one, rooted in human nature.

AmbientArti brings together artists from around the world, each with an original contemporary language and a shared goal: to imagine new forms of conscious art.

Blue Baroque is an exhibtion that offers no definitive answers, but opens a space of wonder: a place where science and myth, rather than excluding each other, are reflected in one another, like two different stories of the same inexhaustible beauty.

iKonica Art Gallery presents “Dancing with Sand”, the first solo exhibition in Milan by the German artist Bernd Caspar Dietrich, scheduled from March 30 to April 11, 2026. On display are approximately 25 works offering a significant insight into the artist’s material-based research.

This exhibition is a testament to change and transformation. It does so through a series of pictorial works, and to a lesser extent sculptural ones, that speak of painterly change and perhaps of an inner transformation as well.

With Interwoven Systems, R.O. Mantey invites the public to reflect on the deep relationships connecting environment, technology, mind, and society — proposing an art that not only represents the world, but suggests new ways of living sustainably within it.

In Con Anima C Corpus. Labirinti umani, Nocchi explores faces and bodies through a rapid, deliberately elusive line, slightly distorted contours, and selective colors that transcend objective reality to penetrate the deeper dimension of being. The figures, never complete, engage in dialogue with geometric elements that frame their fragility and complexity. In Ritorno all’oro, Santoli instead interprets art as an evolutionary and cathartic experience: color becomes an intimate, nonverbal language capable of giving shape to emotions and inner perceptions. The rounded surfaces, illuminated by golden backgrounds, evoke light, energy, and preciousness, transforming the painted matter into a space of revelation.

A group exhibition that brings together twenty international artists around the figure of the contemporary dreamer.

A collective exhibition curated by ARTEMENTE Gallery and Gabriele Salvatore.

We have created a dynamic journey, enriched by a variety of artistic techniques and methods, aimed at presenting each individual artist. This time, no specific theme was assigned in order to allow the artists the freedom—working in coordination with the curator—to present the works that best represent them.

A cohesive exhibition path, guided by the central theme of the use of the color red, built through the immediate visual dialogue that emerges when viewing an entire gallery dressed with works in completely different languages and styles, all united—even if only by a small detail: red

An immersive opportunity to better understand how Shuhei Matsuyama moves through life and art.